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A winner of the Nobel Prize for Literature:Hermann Hesse
by Paul A. Schons
Originally published by the Germanic American Institute in August, 2000
He was intensely popular among young people in
the United States during the sixties and seventies. The film
version of his Siddartha became a cult film. A popular
rock group bore the name of his novel, Steppenwolf. His
popularity was not only in the United States. For years before he
became known in the U.S. he would receive thousands of letters
from young people around the world asking for personal advice.
Hermann Hesse died in August of 1962, just before the height of
his popularity in the United States.
Hesse, more than any other writer in the 20th century, had a
remarkable ability to remember the anxieties, idealism and
passions of youth and to express that experience in his short
stories, poems and novels. From his earliest "hit", Peter
Camenzind (1904) through such other novels with special
appeal to youth such as Unterm Rad, Der Steppenwolf,
or Demian (originally published under the pen name, Emil
Sinclair), Hesse touched ever widening circles of readers. As he
matured, his works began to include deeper and more universal
existential and spiritual insights which appealed increasingly to
mature and serious readers. With his Das Glasperlenspiel (The
Glass Bead Game) he would win the Nobel Prize for Literature
(1946). He would also win the Goethe Prize (1946) and the Peace
Prize of German Bookdealers (1955).
Hesse was born in the Black Forest of Germany, but spent a good
deal of his life in Switzerland. From 1830-1836 his family lived
in Basel, Switzerland as domestic missionaries of the pietistic
movement. After moving back to Germany Hesse left again to
permanent residence in Switzerland in 1912. In 1923 he gave up
his German citizenship and became a Swiss citizen.
Hesse's youth was troubled. He was a brilliant lad who could
learn with great ease and great speed
if he was interested.
School did not interest him. After several failed attempts in a
series of schools, he finally became an apprentice clock maker
and later an apprentice book seller. On the subject of his youth
and school, Hesse said of himself, "I was not a very
manageable boy". Just how unmanageable was perhaps best
expressed by his father in 1893, "Humiliating though it
would be to us, I am nevertheless seriously wondering if we
should not put him into an institution or farm him out to
strangers. We are too nervous and too weak for him." In the
end his family did stand by him. During his apprenticeships and
working as a book seller, he began to write and published his
first book, Romantische Lieder (Romantic Songs)
at age 21. From the publication of Peter Camendzind (age
27) and for the remainder of his life he was able to make a
living from his writing.
Hesse wrote, on the subject of his intellectual interests,
"Of the Western philosophers, I have been influenced most by
Plato, Spinoza, Schopenhauer and Nietzsche as well as the
historian Jacob Burckhardt. But they did not influence me as much
as Indian and, later, Chinese philosophy." His interest in
Indian philosophy was certainly one of the elements which his
devoted readers in the United States found attractive. During the
sixties and seventies, protesting youth also found much
attraction in that style of thinking.
Hesse's own exposure to Indian philosophy began in earliest
childhood. His maternal grandfather, Hermann Gundert had been a
missionary in India and became a leading scholar in Indian
studies after his return to Europe. Hesse's mother had been born
in India. In his own home and in his grandparents' home as a
child he was always surrounded by books on India and was
frequently in the presence of visiting Indian scholars both from
Europe and from Asia. That influence on young Hermann was clearly
profound and lasting. In 1911 he spent four months In India at
age 34, adding direct personal experience to the impressions he
had gained from his family and from reading. (His story of the
young Buddha, Siddhartha, was published in 1922.) He would
comment, though, after the experiences in India that life there
did not afford the spiritual encounter that he had hoped for.
Rather, he came to realize that the ideals he sought needed to be
formulated and developed within himself.
Clearly the images he had of Indian life and thought were
filtered and developed through his own experiences in Europe, his
reading of Schopenhauer and Nietzsche, his youthful immersion in
the writings of Goethe and the German romantic writers and
doubtlessly were further molded by the psychoanalysis he
undertook with Carl Jung and J. B. Lang.